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Siobhan O'Brien Holmes – editor

Hello and welcome to The Cubhouse, a blog about writing, reading, finding, researching and analysing children's and young adult books 📚

I'm Siobhán, a developmental editor working with authors of middle grade and YA fiction. I'm also a mum, a volunteer school librarian and a Children's Literature MA grad, so my interest in kidlit is personal and academic as well as professional!

I passionately believe that children and teenagers need and deserve access to great stories, not only because reading for pleasure develops empathy, boosts comprehension levels and contributes to overall happiness and success in life, but also because it's fun.

That's why I spend my days helping brilliant writers create wonderful books fo children and teenagers.

Most popular posts

The MONSTER guide to middle grade and YA genres and subgenres
5 simple ways to tell if a book's MG or YA without opening it
Exploring kidlit subgenres: Supernatural horror
What's a comic and what's a graphic novel?
What are comics?: Understanding Comics by Scott McCloud Part 1
Where to find up-to-date recommendations for MG and YA fiction online

READING LIST FOR CHILDREN’S BOOK WRITERS

NAIL YOUR GENRE COURSE

MG & YA COURSE

TESTIMONIALS

Joelle Wisler
Siobhán's advice shaped my manuscript and query into a project that got a full manuscript request from an agent in the first week of querying.


Jennifer Grolemund
I am completely BLOWN AWAY! Your feedback is SO helpful and SO thoughtful. You are a truly talented editor!



Hazel Compton
One of the best things I’ve ever done for my writing. I’ve been writing for years, but this manuscript critique has developed and delved into a much stronger, deeper and focused version of my novel.


Angela Kecojevic
You’ve nailed everything and picked up on the things only an editorial expert can spot! You really have been amazing. I couldn’t have asked for a better editor to help with this!

Services and freebies

SOME AWESOME BOOKS I’VE WORKED ON 💙

























Top Ten Tuesday: Unread books on my shelf
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Top Ten Tuesday is hosted by That Artsy Reader Girl and it’s so much fun. My contributions will naturally be heavily kidlit skewed! 


I’ve gone with my own prompt today: books that have been sitting unread on my shelf the longest! I really want to read all of these, and I’ve already started some but, for some reason or other, didn’t manage to finish them and need to start again! I find it difficult to give up on a novel but over the years I’ve made peace with the fact that sometimes, it’s just not the right time for a certain book. I might be enjoying it but just can’t quite get into it or give it my full attention right now, and I need to cut it loose and keep it for later instead of slowly slogging through for the sake of it, particularly as I have a lot of books to get through thanks to my job!

1. Last Day on Mars by Kevin Emerson | I started this middle grade space opera years ago as research for an editorial report I was writing on a client’s book and never had the chance to get past the first chapter. I can’t remember anything about it but the blurb described it as Gravity meets The Martian which is up my street!

2. White Cat by Holly Black | I love everything Holly Black writes but never got around to starting this YA fantasy about a world where only 1% of the population can perform magic and have been driven underground.

3. All of the Above by Juno Dawson | I always say I love Juno Dawson because I’ve seen her on tons of panels and briefly met her at a writing class over a decade ago but I’ve actually only read one of her books – Say Her Name – so I’d love to finally get around to this one, which has been sitting on my shelf for yeeeears.

4. The Haunting by Alex Bell | Alex Bell is one of my favourite kidlit authors and I adored Frozen Charlotte and Charlotte Says so I’m sure I’ll love this YA horror from the same Red Eye collection by Little Tiger.

5. Threads That Bind by Kika Hatzopoulou | I picked this Greek mythology-inspired dark fantasy up after watching the author on a panel at YALC. It’s a gorgeous book and I really enjoyed the first chapter but for some reason I had to pause and read something else.

6. Rebel Skies by Ann Sei Lin | I also grabbed this after seeing the author at YALC. The premise is so unique and gorgeous (Japanese paper magic), but I haven’t managed to read it yet.

7. Red hood by Elana K. Arnold | I have no memory of buying this 😅 It’s a YA dark fantasy with Little Red Riding Hood vibes and sounds excellent.

8. Straight on til Morning by Liz Braswell | Ths is a middle grade Twisted Tales reimagining of Peter Pan told from Wendy’s POV as she tries to save Peter and Tinkerbell from Hook.

9. Children of Blood and Bone by Tomi Adeyemi | I’ve had this book FOREVER and I know it’s amazing because everybody tells me so all the time but for some reason I haven’t read it yet! It’s next on my list.

10. The Fire Sermon by Francesca Haig | I grabbed this for research because a client listed it as an influence on their book, and I read a couple of chapters to get a feel for the story but didn’t have time to finish it. It’s a YA fantasy about two twins – one perfect, one who must be cast aside, but nobody knows which is which.

 

Create your own mission statement
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When I started Writer and the Wolf, I set out my three core values: the things I believe in that drive me to do my very best work every day. They’re the reason I do this job and what sets me apart from other editors. I recently combined these three values into a mission statement:

Young readers deserve…

  • the best books
  • authors who care about their readers and what’s important to them
  • to see themselves reflected in the books they read
  • to feel valued and important
  • stories that help them see the world in new ways

and I couldn’t be more excited to lift you up and support you while you create those stories for them. 

Then the other day I thought: wouldn’t it be great for children’s book authors to write their own mission statement? Something that can get them while they write, or plot, or read. So try it! Ask yourself:

  • Why do you write for children or teenagers?
  • What drives you to sit at your desk or pick up a pen?
  • How do you want your readers to feel when they read your book?
  • What’s missing from the children’s book market that you can bring?
  • What sets you apart from other writers?

Jot down a sentence or two that sum up what you stand for and what values motivate you to write, and look back at it now and again when you’re struggling with a story or feeling fed up and wondering why you bother. This is why you bother.

Top Ten Tuesday: Snowy Reads to Enjoy by the Fire
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This week’s Top Ten Tuesday is actually ‘new authors you discovered in 2024’ but I feel like I’ve talked about my 2024 reads to death already, so I went back a few weeks and grabbed a different prompt. This is such a fun one, particularly as I’m off to Arctic Norway next month to have fun in the snow (and extreme cold) so I figured these books would make perfect reading on the trip. I’d love to hear your choices for this challenge!

1. The Winter Duke by Claire Eliza Bartlett | This is a gorgeous YA fantasy I reviewed for the British Fantasy Society a few years ago. Ekata, the duke’s daughter, is the only survivor of a magical curse that sends her entire family – including 12 siblings – into a deep sleep, leaving her to rule the ice kingdom from her castle on a frozen lake (which is also filled with mermaids!). This whole book made me shiver.

2. Dash & Lily’s Book of Dares by David Levithan and Rachel Cohn | I haven’t actually read this Christmassy YA romance but I loved the Dash & Lily Netflix series!

3. The Polar Bear Explorers’ Club by Alex Bell | This middle grade fantasy series is one of my favourites! I fell in love with Alex Bell years ago after reading the Frozen Charlotte books and then discovered this gorgeous, magical, snowy story that follows Stella trekking across the Icelands on a wintery adventure.

4. The Mezzotint by M.R. James | And all other the stories that Mark Gatiss has adapted into the BBC’s A Ghost Story for Christmas! I’m a huge Gatiss fan and love pretty much everything he touches, so I love sitting down at Christmas and watching his latest cosy ghost story.

5. The Snowman by R.L. Stine | You know I can’t pass up an opportunity to talk about Point Horror and Stine! It’s years since I read this one so I can’t claim it’s withstood the test of time but it felt like an obvious snowy choice here!

6. The Jolly Postman at Christmas by the Ahlbergs | You can’t tell me this isn’t the greatest Christmas book of all time! I’ve been utterly obsessed with it since I was a child and now I count down the days until Christmas Eve when my son and I read this together at bedtime (we save it for Christmas Eve because it’s our favourite!). I will say that I recently discovered Paddington’s Christmas Post which has very similar vibes and it’s super charming, so I really recommend checking that out if you like the postman!

7. The Shining by Stephen King | This is one of my favourite King novels and weather plays a really pivotal role in the story since Jack, Wendy and Danny are acting as winter caretakers for the Overlook Hotel during offseason and end up getting snowed in.

8. Snow & Rose by Emily Winfield Martin | This is a gorgeous, wintery middle grade illustrated reimagining of Snow White and Rose Red that I read a couple of years ago.

9. The Raven by Edgar Allen Poe | Okay, this is a poem rather than a book and there’s no snow… but it’s one of my all-time favourites and I think it’s the perfect thing to sit down and read when it’s snowing outside and you’re wrapped up warm and cosy at home! I mean, it is set on a dreary midnight as the narrator reminisces about a bleak December night in front of the fire. I think it definitely counts.

10. Through the Woods by E.M. Carroll | I’ve always loved this collection of spooky, gothic short stories. The first tale, featured on the book’s cover, sees Beth walking through the pure white snow dressed in a red cloak as she hunts down the man in the wide brimmed hat.

 

Get It Done Week: Reminder!
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If you’re anything like me, you’re forever signing up for awesome courses and masterclasses online – and then not actually completing them.

I do this ALL THE TIME. Ugh, what a waste of money!

That’s why I’m hosting my first Get It Done Week for Untangling Children’s Books: Middle Grade and YA Explained and I’m so excited.

This is a free week-long challenge open to anybody who has registered for the Untangling Children’s Books course (you can still sign up now!).

Fed up of spending money on courses but not getting any value from them because you just don’t have the time to watch all the videos and implement the advice?

Join me for this Get It Done Week and finally complete your Untangling Children’s Books course and put the recommendations and ideas into practice straight away so you can start getting your own novel written!

🎉 How it works

The Get It Done Week will be live from Monday 3rd February to Sunday 9th February. 

During that week, you’re encouraged to:

1) Log in to Untangling Children’s Books and complete the course (watch the videos, take the quizzes, soak up all the kidlit gold dust!) – or register if you haven’t already

2) Fill in the Get It Done Week form at the end of the course to put your learning into practice. There are two forms, depending on where you are in your writing journey:

      • If you’re working on a children’s book project of your own, you’ll fill in form 1 and answer some questions about your story, ultimately deciding whether it’s middle grade or young adult
      • If you’re not writing yet and just want to learn more about the kidlit market, you’ll fill in form 2, focusing on a published novel and looking for clues as to the age group it’s written for

3) Join the private Wolf Pack Facebook group for Writer and the Wolf clients and students where you can discuss the course and ask questions (this isn’t required)

4) If you want to, you can post a pitch or summary of your work in progress in the Facebook group and I’ll respond with whether I think it sounds like middle grade or young adult (or neither!)

5) Everybody who submits the form by Sunday 9th February will receive a huge £50 Wolf Credit to spend on anything at Writer and the Wolf, including courses and editing. You can combine this with any credit you’ve already earned. You’ll also get a shout-out in next month’s newsletter 🙂

You up for it?

Yay! Okay, so here’s what you can do now, before the Get It Done Week starts.

– Join the Facebook group and introduce yourself
– Start working your way through the course (you don’t have to wait until 3rd Feb)
– Put the Get It Done Week in your calendar so you don’t forget to complete the challenge

Already signed up for the course? Log in to Untangling Children’s Books here.


FAQ

Q. Do I have to wait until 3rd February to join the challenge?

A. No! The form is live now so if you want to get started early, go for it.

Q. How and when will I get my £50 credit?

A. If you fill in the form via the course page by the midnight (UK time) on Sunday 9th February, you’ll earn £50 Wolf Credit which can be spent on anything at Writer and the Wolf within a year. When I receive your form, I’ll add the credit to your pot within 7 days. You can ask for your total or spend credit any time by emailing me.

Q. What is a Get It Done Week?

Get It Done Weeks are the brainchild of business strategist Elizabeth Goddard.

What is Untangling Children’s Books: Middle Grade and YA Explained?

Ready to finally understand what middle grade and young adult books are so you can actually write one? On this course, you’ll learn about the middle grade and YA markets and understand what children, agents and publishers are actually looking for, so you’ll stand the best chance of achieving your publishing dreams and putting something fabulous out into the world! Fancy it?

Find out more and sign up here. 

Should I add a developmental edit with annotations?
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One of the most common questions I’m asked by potential clients is ‘what’s the difference between The Monster and a developmental edit? And which should I go for?’

I always give that really unhelpful answer that it’s absolutely up to you which service you’d like to go with, but I realised last week when somebody – let’s call them Squirrel – emailed to say they weren’t clear on the value of the developmental bolt on and who it would be suitable for, that I needed to find a better way of answers this question!

So I came up with this:

The bolt-on annotations in the margin, AKA a developmental edit, is absolutely an optional extra and I wouldn’t say it suits a particular type of book or client more than others, apart from the fact that some authors find it overwhelming and too time consuming to go through so many comments on top of the editorial report, while others find it really helps them to process my feedback and see how it applies to individual instances in the story. Ultimately, The Monster + dev edit bolt-on is the best, most thorough package I offer and I’d say it would be useful and valuable for all authors, but it is of course a much bigger investment cost-wise and not everyone has the budget for it. 
 
The dev edit bolt-on expands on the editorial report, highlighting and discussing specific instances of the issues or suggestions I’ve addressed in my letter, making it easier for you to quickly grasp my point and understand how it applies to particular moments or scenes in your book. It’s your manuscript, annotated. It zooms in on the manuscript and points out specific examples of things I’ve discussed in the editorial letter so that, as you read through the comments, you’ll see where you could apply my suggestions. 
 
Think of it like the difference between reading an interview with a director about their film, discussing the themes and vision and what it was like to make the movie, and then watching the film with the director’s audio commentary where they discuss those things but in real time as the film unfolds, pointing out specific moments and shots and explaining how those things they talked about in the interview actually apply at a micro level. The developmental edit zooms in on the manuscript and points out specific examples of things I’ve discussed in the editorial letter so that, as you read through the comments, you’ll see where you could apply my suggestions.

The right choice absolutely depends on how much feedback you want (or can manage) and whether your budget allows for the added comments. Drop me an email if you’re still not sure what’s best for your manuscript!

Get It Done Week: Untangling Children’s Books
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If you’re anything like me, you’re forever signing up for awesome courses and masterclasses online – and then not actually completing them.

I do this ALL THE TIME. Ugh, what a waste of money!

That’s why I’m hosting my first Get It Done Week for Untangling Children’s Books: Middle Grade and YA Explained and I’m so excited.

This is a free week-long challenge open to anybody who has registered for the Untangling Children’s Books course (you can still sign up now!).

Fed up of spending money on courses but not getting any value from them because you just don’t have the time to watch all the videos and implement the advice?

Join me for this Get It Done Week and finally complete your Untangling Children’s Books course and put the recommendations and ideas into practice straight away so you can start getting your own novel written!

🎉 How it works

The Get It Done Week will be live from Monday 3rd February to Sunday 9th February. 

During that week, you’re encouraged to:

1) Log in to Untangling Children’s Books and complete the course (watch the videos, take the quizzes, soak up all the kidlit gold dust!) – or register if you haven’t already

2) Fill in the Get It Done Week form at the end of the course to put your learning into practice. There are two forms, depending on where you are in your writing journey:

      • If you’re working on a children’s book project of your own, you’ll fill in form 1 and answer some questions about your story, ultimately deciding whether it’s middle grade or young adult
      • If you’re not writing yet and just want to learn more about the kidlit market, you’ll fill in form 2, focusing on a published novel and looking for clues as to the age group it’s written for

3) Join the private Wolf Pack Facebook group for Writer and the Wolf clients and students where you can discuss the course and ask questions (this isn’t required)

4) If you want to, you can post a pitch or summary of your work in progress in the Facebook group and I’ll respond with whether I think it sounds like middle grade or young adult (or neither!)

5) Everybody who submits the form by Sunday 9th February will receive a huge £50 Wolf Credit to spend on anything at Writer and the Wolf, including courses and editing. You can combine this with any credit you’ve already earned. You’ll also get a shout-out in next month’s newsletter 🙂

You up for it?

Yay! Okay, so here’s what you can do now, before the Get It Done Week starts.

– Join the Facebook group and introduce yourself
– Start working your way through the course (you don’t have to wait until 3rd Feb)
– Put the Get It Done Week in your calendar so you don’t forget to complete the challenge

Already signed up for the course? Log in to Untangling Children’s Books here.


FAQ

Q. Do I have to wait until 3rd February to join the challenge?

A. No! The form is live now so if you want to get started early, go for it.

Q. How and when will I get my £50 credit?

A. If you fill in the form via the course page by the midnight (UK time) on Sunday 9th February, you’ll earn £50 Wolf Credit which can be spent on anything at Writer and the Wolf within a year. When I receive your form, I’ll add the credit to your pot within 7 days. You can ask for your total or spend credit any time by emailing me.

Q. What is a Get It Done Week?

Get It Done Weeks are the brainchild of business strategist Elizabeth Goddard.

What is Untangling Children’s Books: Middle Grade and YA Explained?

Ready to finally understand what middle grade and young adult books are so you can actually write one? On this course, you’ll learn about the middle grade and YA markets and understand what children, agents and publishers are actually looking for, so you’ll stand the best chance of achieving your publishing dreams and putting something fabulous out into the world! Fancy it?

Find out more and sign up here. 

Top Ten Tuesday: Recent Additions to My Book Collection
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Top Ten Tuesday is hosted by That Artsy Reader Girl and it’s so much fun. My contributions will naturally be heavily kidlit skewed! 


This week I’m looking at the ten most recent books I’ve added to my collection, either through buying them myself or being gifted them for Christmas or my birthday.

1. Ghostly, Ghastly Tales: Frights to Tell at Night by Anastasia Garcia | A middle grade collection of ghost stories with a glow-in-the-dark cover! This was a Christmas present to myself and I’ve only read one story so far but I just feel so happy whenever I see it on my shelf.

2. Yellowface by Rebecca F. Kuang | An adult satirical novel about racism and representation in the publishing industry. Everybody told me to read this one and I loved it – it’s brilliantly written and terrifyingly accurate with an often very unlikeable protagonist  – although I did find the ending a bit of a letdown.

3. Grim edited by Christine Johnson | a collection of dark YA fairytales. I’ve read about half of these and really enjoyed them, although the first story is probably my favourite.

4. She is a Haunting by Trang Thanh Tran | A YA gothic mystery I haven’t read yet but has had loads of buzz

5. You’re Not Supposed to Die Tonight by Kalynn Bayron | A YA horor I’m really excited to read!

6. The Christmas Jigsaw Puzzle Murder by Alexandra Benedict | An adult murder mystery. This is a book I wouldn’t have picked out myself but when my husband and son put it in my stocking for Christmas I thought I’d better give it a go, and I loved it! It was super cosy and really easy to zip through. Very funny and voicey, too, and reading the POV of an 80-year-old cantankerous puzzle setter instead of a child or teenager made a nice change!

7. Berserker by Adrian Edmondson | The autobiography of comedy actor Ade Edmondson. I recently listened to his Desert Island Discs episode and was really fascinated by his upbringing (sent to a British boarding school while his siblings stayed living with their parents abroad) and his career in comedy. I’m a big Rik Mayall fan and he spoke about him with such love and respect, so I thought I’d check this out on audiobook. I’m a sucker for comedians’ autobiographies!

8. 8 Days in the Woods: The Making of The Blair Witch Project by Matt Blazi | A non-fiction, behind the scenes account of the production of TBWP. This was a present from my dad and I really enjoyed digging into the secrets and details of how this film was made – I hadn’t realised just how in the dark the actors were and what a terrible time they went through.

9. The Undying of Obedience Wellrest by Nicholas Bowling | This is a YA gothic horror novel that I’m going to start reading this week since I’ve set it as the January readalong in The Wolf Pack Facebook group.

10. Zoinks! The Spooky Folklore Behind Scooby Doo by Mark Norman | This was another present and I’m very excited to read it! I absolutely love learning about the legends and stories that inspired books or TV shows and I think this will be a really fun ride.

My values: Making editing magical!
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Last up in my blog series exploring my editing values: making editing magical!

Editing can be intimidating. Handing your manuscript over to somebody online and saying ‘tell me what you think and don’t hold back’ is hella scary!

I myself am a delicate little soul who does not cope well with criticism of any kind (I blame my mum for always telling me I was brilliant at everything) so I put those feelings into my editing. My feedback and suggestions are always as kind and encouraging as I can possibly make them. I’ll give my honest opinion about your work and I won’t leave out the important stuff just to be nice, but I won’t break your spirit while I do it! I will never, ever send you an editorial letter that only talks about the problems: I load every report with praise and heart emojis for the stuff you’ve done brilliantly.

In my business, my goal is to make the entire process as lovely and empowering as possible for you, from your first enquiry to the final project delivery, and beyond to follow-up support, check-ins and chat in the private Facebook group.

It’s common to fall out of love a bit with your story after receiving lots of feedback and realising there’s still work to do — I’ve been there many times.

But it’s my number one wish that you walk away from our project feeling super confident and excited for the future.

My Values: Readers’ Champion
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Next up in my blog series exploring the values and beliefs that drive me and my business, I’m going to talk about being a readers’ champion and what that means to me.

Although you, the writer, are my customer, there’s somebody else I always have to keep front of mind when working on your manuscript: the child who’s going to read it. 

Helping you love your book is SUPER important to me. I want you to be so proud of your work that you skip around the house in your pyjamas singing ‘Roar’ by Katy Perry and can’t stop looking in the mirror and saying ‘you, yes YOU, are the best darn writer there ever was!’

That’s my dream.

But I wouldn’t be doing my job if I stopped there. Because it’s not enough that you love your manuscript. We want readers to love it too, right? 

I feel very strongly that children and teenagers deserve excellent books that aren’t just fun or exciting but that make them feel seen, recognised, important, less alone. 

They deserve books that help them see the world in new ways and understand the experiences of people who are different from them. 

Your book can help children and teens develop empathy, cultural awareness, tolerance and kindness. 

And it can help them realise that they deserve those things from others, too. 

I care a lot about increasing and promoting diversity, representation, sensitivity and conscious language in children’s books, not just as a professional editor but as a parent and school library volunteer.

I also feel really strongly that children should be allowed to read whatever they enjoy, whether it’s comics, fairytales, horror, big books, short stories or literary fiction. That’s how they learn to love language and stories. That’s why I want to help you tell your story, because it’s unique and important and might just make somebody fall in love.

So here’s my mission statement:

Young readers deserve…

– the best books

– authors who care about their readers and what’s important to them

– to see themselves reflected in the books they read

– to feel valued and important

– stories that help them see the world in new ways

– to read whatever stories make them happy

and I couldn’t be more excited to lift you up and support you while you create those stories for them. 

 

My values: Your biggest cheerleader!
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I want to talk a little about my values here at Writer and the Wolf, because they really do guide everything I do in my business. I’ll be diving into my three core values and beliefs, starting with my dedication to being your biggest supporter on your writing journey!

I fully believe in my heart that YOU ARE AMAZING! Not only have you written a novel, but you’re also thinking about taking another huge step by investing in professional editing. I know it’s scary to share your work with a stranger: can you trust them? What if they show it to somebody else? What if they hate it and rip it apart?

But you’re not giving up! You know your readers deserve the best and you want to do whatever it takes to give them a brilliant book.

That’s absolutely something worth celebrating. Goooooo you!

It means so much to me that authors trust me with their hard work and their dreams. I feel so incredibly lucky to get to read and edit wonderful people’s books every single day.

But you’re not here just to publish a book. You want to publish the best book you can. And I’m so here for that.

While I’ve learned a lot about writing and publishing through my MA in Novel Writing, the most important lesson I’ve taken away is this: Writing a novel is SO HARD. And that’s why I love you. You’re DOING IT!

That’s why I’m always shouting about my clients in my newsletters, on my blog, on social media. I celebrate their good news and I’m SO PROUD of them for every milestone they reach.

As your editor, I’ll always have my pompoms ready to wave for you.

Enter… if you dare!



Hi there! I'm Siobhán, a children's book editor who is totally obsessed with horror. This blog is where I explore the spooky, the macabre, the gory and the strange in stories, TV shows, films and games just for kids and teenagers.

This is the sister blog to Writer and the Wolf, my editing website. If you’re writing your own children’s book, head over there for advice and support!